When Main Streets Dream Lit Up Two Regional Main Streets

When Main Streets Dream turned two regional main streets into after-dark art trails in August 2026.

Tamworth's Fitzroy Street Plaza went first, on Saturday 8 August. Armidale's Beardy Street Mall followed a week later, on Friday 14 August. Over 140 people of all ages came out across the two nights, drawn by six large-scale projection and light works from local artists Nick Hunt, Daniel Stanley, Logan Hughes, Ethan Lazinos, Daniel Elliott and Pat Harris.

Tamworth, Saturday 8 August: Fitzroy Street Plaza became a canvas of moving light. Giant illuminated octopus tentacles and glowing jellyfish set the crowd's imagination alight. A curated run of projection experiences and interactive digital artworks turned familiar shopfronts into a dreamscape.

Armidale, Friday 14 August: :Beardy Street Mall had its turn a week later. Kids chalked up the pavement in the coloured light, and passers-by lingered longer as Jolly Good Emporium, Nanny McPhee's and Courthouse Coffee stayed open late, giving the crowd somewhere to eat and warm up.

Both evenings featured a stitched-together reel of the projection works, played on the big screen and scored live by Ethan Lazinos. A hush moved through the crowd as the music played under Big Sky Studio's Clara is Dreaming..., the sound moving with the animation as it played out large against the dark.


When Main Streets Dream was delivered through Arts North West's SustainABLE Communities Program, presented by Big Sky Studio's, Arts North West and Tamworth Regional Gallery. It was one of eight projects selected nationally through the Visa Vibe Grants Program 2026, delivered by Mainstreet Australia, with support from Create NSW

sTATUS

Past
Past

Program

ANW SustainABLE Communities Program

YeAR oF dELIVERY

2023

Project Information

Description

CreativiTea: Stitching Stories, Building Communities

CreativiTEA began with a simple yet powerful idea: bringing women together in rural and remote communities to create art, share stories, and build connections. Since its launch in 2016, this project by Arts North West has grown into a vibrant and transformative journey, weaving together the creativity, resilience, and camaraderie of women across the New England North West (NENW) region.

The Beginning: A Quilt of Stories (2016)

In 2016, a sense of purpose and collaboration sparked the very first CreativiTEA workshops. These gatherings, held in small community halls and schools across towns like Deepwater, Mungindi, and Pilliga, offered women a chance to come together and turn the humble tea towel into something extraordinary.

Each tea towel became a personal canvas, transformed with natural dyes from beetroot, turmeric, and onion skins, and stitched with patterns that told stories of life in rural Australia. Some pieces captured moments of drought, while others celebrated the beauty of their landscapes or the joy of shared connection. As the workshops progressed, the individual squares came together to form a single quilt—a vibrant patchwork that became a collective symbol of resilience, strength, and hope.

The workshops weren’t just about making art. They became places of laughter, reflection, and healing. Women who had spent long days isolated by the challenges of farming and drought found themselves sharing stories over cups of tea, their hands busy stitching memories into fabric. In those moments, the art-making was almost secondary to the comfort of being seen and heard.

When the final quilt was displayed, it told a story far bigger than its individual pieces—a story of community and creativity triumphing over hardship.

A New Chapter: Creativity Through The Seasons (2022)

After the success of the first project, CreativiTEA returned in 2022 with a fresh focus and renewed energy. This time, the workshops embraced printmaking, drawing inspiration from the changing seasons. The sessions traveled to communities like Drake, Ashford, Tingha, and Torrington, where women once again gathered in local halls to explore art and connection.

Printmaker Lizzie Horne led these sessions with her infectious enthusiasm, guiding participants through drypoint techniques. For many, it was their first experience creating art, and the joy was palpable. The sound of laughter and gasps of surprise filled the rooms as prints emerged from the press, revealing intricate and beautiful designs.

Beyond the art, these workshops became lifelines for women still reeling from the impacts of bushfires, drought, and the isolation of the COVID-19 pandemic. Over shared meals and cups of tea, the conversations flowed as freely as the creativity. Women opened up about their struggles and triumphs, finding comfort and solidarity in one another’s stories.

At the heart of this project was the idea that creating art is not just about the final product—it’s about the process. Each session became a safe space, where women could pause, breathe, and rediscover the joy of connection.

Stitching Bonds: CreativiTea in 2023

By 2023, CreativiTEA had become a beloved fixture in the NENW region. This time, the workshops combined the textile techniques of 2016 with the printmaking of 2022, offering participants a chance to experiment with both mediums. Communities like Ben Lomond, Bundarra, and Yetman opened their halls to the project, filling them with chatter, creativity, and the comforting hum of women at work.

Lizzie Horne once again led the sessions, encouraging participants to try their hand at eco-dyeing, stitching, and printmaking. HealthWISE professionals were on hand to provide health checks and mental health resources, ensuring the women’s well-being was as much a priority as their creative expression.

These workshops felt like reunions in many ways. Women who had participated in earlier CreativiTEA projects returned, eager to rekindle friendships and continue their artistic journeys. For others, it was a new experience, one that left them surprised by their own creative abilities.

By the end of the year, the results were stunning. Individual artworks and collaborative pieces spoke of resilience and renewal, capturing the spirit of these rural communities in vivid colour and texture.

The Legacy of CreativiTea

Over the years, CreativiTEA has visited more than a dozen towns, reached over 200 women, and created lasting memories in rural and remote communities. But its impact goes far beyond numbers. It has reignited community halls as places of creativity and connection, strengthened networks of support, and reminded women of their own strength and value.

The quilt from 2016 still hangs as a testament to that first chapter of the project, but the legacy of CreativiTEA is ongoing. Each participant carries the skills, memories, and connections they’ve gained into their daily lives. For many, it’s not just about the art they created but the friendships they formed and the stories they shared.

As CreativiTEA looks to the future, its mission remains clear: to bring women together, to create beauty and strength through art, and to remind us all of the power of community.

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This project was made possible by funding from the Foundation for Rural Regional Renewal (FRRR)

CreativiTea booklet

DANIEL ELLIOTT - VISITORS FROM DREAMS Sb51 Golden Way
SB51 Golden Way explores the idea of what ghosts do after death. Rather than haunting a single location, why wouldn’t a ghost use its infinite time to explore and enjoy the world around it? Hanging Rock in Nundle was chosen as the main location for this project because of its incredible views, general peace and quiet, and its history as a mining hotspot for both gold and antimony, particularly in the mid to late 1800s, leading to many untimely deaths due to accidents and sickness. While drawing from local history for its subject matter, the film also pulls from Australian animation history for its visual aesthetic, taking strong inspiration from the work of Polish-Australian filmmaker Yoram Gross (Dot and the Kangaroo, Blinky Bill), known for his signature blend of live-action background plates and hand-drawn animation composited over the top. While this process once required expensive equipment and can now largely be achieved with any computer and camera, it still requires extensive planning, with Daniel animating the film first and then using that animation as a reference for each background shot when filming on location, no doubt the reverse of how it was originally done by Yoram. SB51 Golden Way encourages you to make the drive up to Hanging Rock and take some time to relax.
NIC HUNT ‘When she sleeps, she wanders’
 
I wanted to capture that feeling of a chilly winter night in the Tamworth and Armidale regions. A dream within a dream... where you can gaze through the looking glass and see a reflection of your childhood wonder. Feeling the excitement of discovering a dazzling light show in the middle of your town and sharing your enjoyment with the community.
BIG SKY STUDIO ‘Clara is Dreaming...’

A collaborative animation between Daniel Baldacchino Stanley, Ethan Latsinos and Logan Hughes, depicting life in regional NSW through the lens of creativity, symbolism and meaning-making, both personal and communal. Throughout several interconnected dreams, Clara faces her fears, and in so doing, she and her community are transformed in magical and powerful ways. A celebration of the strange and wonderful creative people, particularly those younger, who add so much to the Tamworth community. Direction, Videography, Editing, Sound Design and 3D Animation by Daniel Baldacchino Stanley. Acting and 2D animation by Logan Hughes. Music and lighting assistance by Ethan Latsinos. Live musical accompaniment by Ethan & Eli Latsinos. Title images painted by Panther Hand Painted.

DANIEL ELLIOTT - VISITORS FROM DREAMS This S#@ts For The Birds
Regional living? That shit’s for the birds. I mean, I personally love it. I’m out documenting my life in the country at 5:30am every morning, but while people who don’t live in regional areas probably imagine golden sunrises and singing birds (and we definitely get those), the quiet calm of the early morning also makes it easy to notice a world that’s slowly in decline. What was once critical transport infrastructure is left to rust, shopping trolleys are strewn kilometres from their homes because there are no supermarkets near the poorer parts of town, and those trolleys almost always end up in the creek courtesy of bored teenagers during the night. Some results of this decline can be quirky and fun, abandoned homes in the middle of town with alpacas wandering around inside them, or mowing your lawn while sheep angrily stomp their feet on the other side of the fence, creating this strange feeling of two different eras colliding. But a lot of it just feels sad. And yet, amongst all of it, there are always the birds. They can fly away, go wherever they want, but they choose to stay here. They seem to love it, and so do I. S#@s for the Birds started out as two photography projects. One was called Morning Chorus, where I documented the local currawong and crow populations I encountered on my morning walks. I’ve always been fascinated by the strange line where nature merges with what mankind has created, and I can’t think of a better symbol of that than the silhouettes of birds perched on TV antennas, power lines, and streetlights against the morning light. The other project was simply titled Trolley Town, documenting shopping trolleys in places they absolutely don’t belong. I often found myself wondering how they ended up where they were. If only trolleys could talk, I’m sure they’d have some stories. They might even enjoy their adventures away from the supermarkets, even if they do become eyesores in the process. I’ve used many of these photos as references for the illustrations in this animation project. I think these two very different ideas work surprisingly well together to tell a larger story about living in a place that sometimes feels forgotten by those in charge, a feeling reinforced even more whenever I return to my hometown of Lismore in the Northern Rivers, a town devastated by floods in 2022 that still hasn’t truly recovered. These issues aren’t unique to Lismore or Armidale, you’ll find them everywhere, but there’s something particularly distinct about the feeling of nature slowly reclaiming the world around you as parts of regional life fall away. It’s a feeling I hope I’ve managed to capture and convey through this piece of work. This shit’s not for the birds because it sucks, but because sometimes it feels like, in a few more decades, all of this will belong to them.
TAMWORTH ART ACADEMY/BIG SKY STUDIO Pinky The Whale
 
Pinky The Whale was created by Daniel Baldacchino Stanley, with decorative elements added by students of Tamworth Art Academy and Logan Hughes. Pinky's animations were created by students of Tamworth Art Academy at their School Holiday Art Camp.

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